Because the Internet: Creepy Pasta. OK Cupid. These are all folklore, all places that value stories, communication, adaptation, and creativity. In fact, many folklorists now specialize in the internet. You can haz folklore! Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email.
Notify me of new posts by email. Why do YOU love studying folklore? Folk tales often explain something that happens in nature or convey a certain truth about life. Folk tales are stories passed down through generations of people. Fables are just one type of folk tale — short stories, often featuring talking animals, that teach a lesson. The simplified story lines and characters of folk tales and fables make them great for teaching life lessons to little ones.
The study of folklore is important in understanding ancient beliefs, traditions and even rituals. Folklore consists of both spiritual and material aspects. Africans, like people elsewhere in the world, have a set of values which they consider worthwhile and necessary for the preservation and wellbeing of their culture. As a result, folktales are often used as a vehicle for transmitting and preserving shared values and collective experience.
Fables shape our culture rather than reflect it, because they are timeless and convey a moral and message, instead of describing how the culture was at the time they were written. Traditions Matter. Traditions represent a critical piece of our culture. The forms of folklore are thus regarded as the cores at the hearts of artistic forms. They are the primitive, crude expressions out of which the literary, visual, and musical cultural heritage of the peoples of the world has emerged.
Folklore comprises the symbolic forms at the base of the complex expressions of literate societies. None have claimed that current prose and poetry of peasants and non-literate cultures reflect human expression in its archaic, primordial form.
Repeated recitations, loss of memorization, creative improvisation, and more general historical processes of cultural contacts and technical evolution have contributed to the alteration of particular themes and the general tenor of folklore.
Hence, the oral nature of folklore had become one of its crucial attributes, the touchstone of authenticity and originality. These attributes of traditionality, irrationality, and rurality; anonymity, communality and universality; primacy-and oral-circulation have consolidated in the idea of folklore.
They cluster, implying each other and suggesting that intrinsic relations exist between them. The occurrence of one quality in a song or tale often implies most of the others. A peasant song, for example, is considered as having longstanding tradition in the community. The possibility that it might be either a recent composition or one borrowed from some external source such as an urban center would deny the song its folkioric nature and contradict the basic assumptions held about it.
Being rural, other attributes similarly follow: the author is anonymous and the song belongs to the cultural heritage of the entire community. Most likely, as poetry, it would express deep, seated emotions or uncontrolled desires. Thus, combinei in a hypothetical song, these attributes convey the meaning of the concept of folklore.
Consequently, these attributes, which are only. They become defining terms, bound by an a priori notion of what folklore should have been, but only occasionally was, transforming the desired into necessary conditions and injecting interpretations into alleged observations.
They have become terms of value with which to state the worth of songs and sayings and to rate their import in the light of ideals only implicitly understood. In the process of research and interpretation, desired goals can often turn into a priori assumptions and serve as initial premises rather than final results.
This, in fact, has often happened in qualities attributed to stories, songs, and sayings which have become the basic premises upon which research was designed and theory constructed. Naturally, there have been examples that have supported these contentions. But even if there were texts that measured up to all the criteria of folklore, these standards should not have been the defining terms for the substance of folklore.
The penalty for transferring norms into premises and ideal goals into a priori conditions is a limited range for research and theory.
Past folklore scholarship paid its dues twice over. The diversity and richness that folklore is was confined by the constraints that the notions about it imposed. The study of traditions in villages flourished, but the equivalent activities in cities went unnoticed. Anonymous tales and songs. Other attributes- became frames for interpretation.
Definition of Folklore Folklore is made of two words: folk , which means regional people , and lore , which means stories. Oral Tradition Folklore was passed down from earlier generations, who told the stories verbally. Types of Folklore There are many ways for cultures to express their beliefs through folklore. Fables and Folktales Traditional stories about common people are the basis for most forms of folklore.
Fairy Tales Fairy tales are folk tales that include elements of fantasy stories, such as royalty and magic. Though it was first published in France by Charles Perrault, there are many different versions of this fairy tale all over the world. Mythology Many cultures explain everyday phenomena with tales of mythological figures. Folk Songs Cultures often put their stories from folklore to traditional music. Check out these examples of folk dances from different cultures: Tarantella — a fast couple dance from Southern Italy Barynya — the traditional fast-paced Russian dance with both stomping and squatting steps Square dance — a moderately paced American dance in which sets of couples respond to a caller Native American sun dance — a celebratory dance practiced by many Native American tribes.
The sun dance was forbidden by the American government until Common proverbs from international cultures include: The night rinses what the day has soaped.
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